artists

K.I.M. 

K.I.M is an activist vegetarian consortium composed of Flokim Lucas and Jimi Bazzouka. Bazzouka once was a well know anti-capitalist militant, responsible for a painstaking tide of bombing of several institutional buildings in the United States (including that of the Chapel Hill (NCA) Postal Office in 1972) and his past involvement with guerilla warfare in places such as Nicaragua, Colombia and Mexico.

Turning his back on a cruel row of bitter fights, unnecessary violence and desultory politics, Bazzouka found a new establishment as gardener in the Icelandic hippie compound of Vik amongst the K.I.M.-fellow community.  

K.I.M is an acronym originally created to illustrate the philosophy and way of life of community father figure and German celebrity recloose Ulrich Vordstrom. KIM fellow members recognize him as the Kern.Im.Mordsee, a beacon of inspiration who edicted the ways of the K.I.M, a series of precepts and know-hows that by contractual agreement with TIGERSUSHI shall remain quite obscure and kept undecipherable to the masses.

According to biographic information forwarded by various sources, Bazzouka was sent to set up a sub-division of the KIM community in the South of France where he met Flokim Lucas, a Korean refugee and the community's librarian and caretaker of the plentiful of records assembled through various errand jobs and garage sales.

Despite the toil and work inducted by the extensive development of the south - K.I.M orchard, Bazzouka and Lucas allegedly decided to vest the riteously enormous profits derived from the side-of-the-road-sale of take away melons and into two different schemes, first up was the industrial manufacturing of voodoo dolls as part of a larger masterplan to assert K.I.M stronghold's on Northern Europe, the second, an album seemlessly mixing their own music with their favorite songs by other artists. This record was deemed benevolent enough to be left out to TIGERSUSHI records.

Although Bazzouka and Lucas undertook not to include any subliminal messages and/or propaganda in the above mentioned recording, TIGERSUSHI records hereby waives any responsibility whatsoever as to possible consequences a long exposure to K.I.M music might trigger.

Discography